Feminist Theory

A Room of One's Own

Surprisingly, this long essay about society and art and sexism is one of Woolf's most accessible works. Woolf, a major modernist writer and critic, takes us on an erudite yet conversational--and completely entertaining--walk around the history of women in writing, smoothly comparing the architecture of sentences by the likes of William Shakespeare and Jane Austen, all the while lampooning the chauvinistic state of university education in the England of her day. When she concluded that to achieve their full greatness as writers women will need a solid income and a privacy, Woolf pretty much invented modern feminist criticism.

" A remarkable work in both the history English literary criticism and feminist theory, Virginia Woolf?

The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine (Plus)

"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening." ––Sue Monk Kidd

For years, Sue Monk Kidd was a conventionally religious woman. Then, in the late 1980s, Kidd experienced an unexpected awakening, and began a journey toward a feminine spirituality. With the exceptional storytelling skills that have helped make her name, author of When the Heart Waits tells her very personal story of the fear, anger, healing, and freedom she experienced on the path toward the wholeness that many women have lost in the church. From a jarring encounter with sexism in a suburban drugstore, to monastery retreats and to rituals in the caves of Crete, she reveals a new level of feminine spiritual consciousness for all women– one that retains a meaningful connection with the "deep song of Christianity," embraces the sacredness of ordinary women's experience, and has the power to transform in the most positive ways every fundamental relationship in a woman's life– her marriage, her career, and her religion.

This Plus edition paperback includes a recent interview with the author conducted by the book's editor Michael Maudlin.

A Year by the Sea: Thoughts of an Unfinished Woman

Now available in paperback, the entrancing story of how one woman's journey of self-discovery gave her the courage to persevere in re-creating her life.

Life is a work in progress, as ever-changing as a sandy shoreline along the beach. During the years Joan Anderson was a loving wife and supportive mother, she had slowly and unconsciously replaced her own dreams with the needs of her family. With her sons grown, however, she realized that the family no longer centered on the home she provided, and her relationship with her husband had become stagnant. Like many women in her situation, Joan realized that she had neglected to nurture herself and, worse, to envision fulfilling goals for her future. As her husband received a wonderful job opportunity out-of-state, it seemed that the best part of her own life was finished. Shocking both of them, she refused to follow him to his new job and decided to retreat to a family cottage on Cape Cod.
At first casting about for direction, Joan soon began to take plea-sure in her surroundings and call on resources she didn't realize she had. Over the course of a year, she gradually discovered that her life as an "unfinished woman" was full of possibilities. Out of that magical, difficult, transformative year came A Year by the Sea, a record of her experiences and a treasury of wisdom for readers.
This year of self-discovery brought about extraordinary changes in the author's life. The steps that Joan took to revitalize herself and rediscover her potential have helped thousands of woman reveal and release untapped resources within themselves.

Eating in the Light of the Moon: How Women Can Transform Their Relationship with Food Through Myths, Metaphors, and Storytelling

In a Different Voice: Psychological Theory and Women's Development

This is the little book that started a revolution. First published almost twenty years ago, it made women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than three-quarters of a million copies sold around the world. In a Different Voice has inspired new research, new educational initiatives, and political debate-and helped many women and men to see themselves and each other in a different light.

Carol Gilligan believes that psychology has persistently and systematically misunderstood women--their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.

The Feminine Mystique

The book that changed the consciousness of a country—and the world. Landmark, groundbreaking, classic—these adjectives barely describe the earthshaking and long-lasting effects of Betty Friedan's The Feminine Mystique. This is the book that defined "the problem that has no name," that launched the Second Wave of the feminist movement, and has been awakening women and men with its insights into social relations, which still remain fresh, ever since. A national bestseller, with over 1 million copies sold.

What I Know Now: Letters to My Younger Self

If you could send a letter back through time to your younger self, what would the letter say?

In this moving collection, forty-one famous women write letters to the women they once were, filled with advice and insights they wish they had had when they were younger.

Today show correspondent Ann Curry writes to herself as a rookie reporter in her first job, telling herself not to change so much to fit in, urging her young self, “It is time to be bold about who you really are.” Country music superstar Lee Ann Womack reflects on the stressed-out year spent recording her first album and encourages her younger self to enjoy the moment, not just the end result. And Maya Angelou, leaving home at seventeen with a newborn baby in her arms, assures herself she will succeed on her own, even if she does return home every now and then.

These remarkable women are joined by Madeleine Albright, Queen Noor of Jordan, Cokie Roberts, Naomi Wolf, Eileen Fisher, Jane Kaczmarek, Olympia Dukakis, Macy Gray, and many others. Their letters contain rare glimpses into the personal lives of extraordinary women and powerful wisdom that readers will treasure.

Wisdom from What I Know Now

“Don’t let anybody raise you. You’ve been raised.” —Maya Angelou

“Try more things. Cross more lines.” —Breena Clarke

“Learn how to celebrate.” —Olympia Dukakis

“You don’t have to be afraid of living alone.” —Eileen Fisher

“Please yourself first . . . everything else follows.” —Macy Gray

“Don’t be so quick to dismiss another human being.” —Barbara Boxer

“Work should not be work.” —Mary Matalin

“You can leave the work world—and come back on your own terms.” —Cokie

Roberts

“Laundry will wait very patiently.” —Nora Roberts

“Your hair matters far, far less than you think” —Lisa Scottoline

“Speak the truth but ride a fast horse.” —Kitty Kelley

Gender Trouble: Feminism and the Subversion of Identity (Routledge Classics)

In a new introduction to the 10th-anniversary edition of Gender Trouble--among the two or three most influential books (and by far the most popular) in the field of gender studies--Judith Butler explains the complicated critical response to her groundbreaking arguments and the ways her ideas have evolved as a result. Nevertheless, she has resisted the urge to revise what has become a feminist classic (as well as an elegant defense of drag, given Butler's emphasis on the performative nature of gender). The book was produced, according to Butler, "as part of the cultural life of a collective struggle that has had, and will continue to have, some success in increasing the possibilities for a livable life for those who live, or try to live, on the sexual margins." An attack on the essentialism of French feminist theory and its basis in structuralist anthropology, Gender Trouble expands to address the cultural prejudices at play in genetic studies of sex determination, as well as the uses of gender parody, and also provides a critical genealogy of the naturalization of sex. A primer in gender studies--and sexy reading for college cafés. --Regina Marler

Since its publication in 1990, Gender Trouble has become one of the key works of contemporary feminist theory, and an essential work for anyone interested in the study of gender, queer theory, or the politics of sexuality in culture. This is the text where Judith Butler began to advance the ideas that would go on to take life as "performativity theory," as well as some of the first articulations of the possibility for subversive gender practices, and she writes in her preface to the 10th anniversary edition released in 1999 that one point of Gender Trouble was "not to prescribe a new gendered way of life [...] but to open up the field of possibility for gender [...]" Widely taught, and widely debated, Gender Trouble continues to offer a powerful critique of heteronormativity and of the function of gender in the modern world.

In this highly-acclaimed subversive book, Butler examines the `trouble' with unproblematized appeals to sex/gender identities. A seminal text for gender studies.

Female Chauvinist Pigs: Women and the Rise of Raunch Culture

Ariel Levy's debut book is a bold, piercing examination of how twenty-first century American society perceives sex and women. Writing vividly, she brings her readers to places she visited to make her assessment; the elevator of Playboy Enterprises with women auditioning to be Playmates in the fiftieth anniversary edition, a Florida beach where sunbathers urge a woman to take off her bathing suit for the camera crew of Girls Gone Wild, a San Francisco Italian restaurant where a lesbian worries she's not dressed up enough for her date, a CAKE party in New York, with women grinding each other's pelvises in time to pulsating dance rhythms, and outside a juice bar in Oakland where a beautiful high school student shares disappointment at her experiences with sex.

Levy cleverly leads us to explore the role models women aspire to emulate. We are not pursuing the confident, self-determined, powerful, free ideal the women's liberation movement would have dreamed for its daughters. Instead, our icons are porn stars and strippers and prostitutes. Paris Hilton and Jenna Jameson flaunt their successes in the pornography industry, and in doing so seem to earn our adulation.

Levy relates our embracing of this raunchy culture to unresolved tensions thirty years ago between the sexual revolution and the women's liberation movement, and amongst feminists; joy at discovering the delights of our clitoris conflicting with disgust at pornography's objectification of women. She creates a convincing argument by analyzing a diverse spectrum of material; presents a fascinating palette of interviews with revolutionary women's libbers, nouvelle raunchy feminists, and everyday women and men. Detailed facts and recurring names are sometimes cumbersome, albeit worth ploughing through for the `a-ha moments'.

The reality that we model ourselves on images whose "individuality is erased" is harsh, yet Levy's work is imbued with hope - hope that women can celebrate their uniqueness instead of their `hotness', explore their sexuality as delight rather than consume sex as currency, and succeed professionally because of their brilliant minds and personalities, not because of their brilliant bodies.--Megan Jones Ady

Meet the Female Chauvinist Pig -- the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women -- and of themselves. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

"Meet the Female Chauvinist Pig--the new brand of ""empowered woman"" who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces ""raunch culture"" wherever she finds it. If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women--and of themselves. They think they're being brave, they think they're being funny, but in Female Chauvinist Pigs, New York magazine writer Ariel Levy asks if the joke is on them. In her quest to uncover why this is happening, Levy interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. She examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the best-seller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls. Levy meets the high-powered women who create raunch culture--the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be ""one of the guys."" And she traces the history of this trend back to conflicts between the women's movement and the sexual revolution long left unresolved. In the tradition of Susan Faludi's Backlash and Naomi Wolf's The Beauty Myth, Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come, it only proves how far they have left to go. "

Full Frontal Feminism: A Young Woman's Guide to Why Feminism Matters